Graphic Design for Architects
Graphic Design for Architects is a handbook of techniques, explanations and examples of graphic design most relevant to architects. The book covers a variety of scales of graphic design, everything from portfolio design and competition boards, to signage and building super-graphics – to address every phase of architectural production. This book combines and expands on information typically found in graphic design, information design, and architectural graphics books. As architectural communication increases to include more territory and components of a project, it is important for designers to be knowledgeable about the various ways in which to communicate visually. For instance, signage should be designed as part of the process – not something added at the end of a project; and the portfolio is a manifestation of how the designer works, not just an application to sell a design sensibility. In thinking about architecture as a systematic and visual project, the graphic design techniques outlined in this book will help architects process, organize and structure their work through the lens of visual communication. Each chapter is titled and organized by common architectural modes of communication and production. The chapters speak to architects by directly addressing projects and topics relevant to their work, while the information inside each chapter presents graphic design methods to achieve the architects’ work. In this way, readers don’t have to search through graphic design books to figure out what’s relevant to them – this book provides a complete reference of graphic techniques and methods most useful to architects in getting their work done.
Graphic Design and Architecture, A 20th Century History
This innovative volume is the first to provide the design student, practitioner, and educator with an invaluable comprehensive reference of visual and narrative material that illustrates and evaluates the unique and important history surrounding graphic design and architecture. Graphic Design and Architecture, A 20th Century History closely examines the relationship between typography, image, symbolism, and the built environment by exploring principal themes, major technological developments, important manufacturers, and pioneering designers over the last 100 years. It is a complete resource that belongs on every designer’s bookshelf.
Malcolm Frost
The second in the series explores the work of the inimitable Malcolm Frost, a designer from the UK. Frost has concentrated in recent years on working with some of the best known architects to create exceptional catalogues and posters that showcase not only the architects' creative genius, but Frost's ability to design material that supports
Graphic Thinking for Architects and Designers
Hier ist sie endlich - die langersehnte überarbeitete 3. Auflage des Klassikers in neuer Aufmachung: mit Hunderten neuer Illustrationen und neuen Technologien im Bereich 'Graphic Thinking' (bildhaftes Denken). Komplett aktualisiert, mit Computeranimationen für digitale und andere Kommunikationsmedien. Diskutiert werden u.a. folgende Themen: Grundlagen für Freihandzeichnen, Fertigen von Symbolzeichnungen, Notizen in Bildern und Diagrammen - alles im Kontext moderner Architektur und aktuellem Design. Der Begriff 'Graphic Thinking' beschreibt, welche Tools, Zeichen- und Skizziermethoden Architekten und Studenten verwenden, um eine Designlösung zu finden. In der Architektur wird diese Form des Denkens im allgemeinen mit der Entwurfsphase eines Projektes assoziiert - ein Zusammenspiel von Denken und Skizzieren. (y09/00)
Graphics for Architecture
Graphics for Architecture Kevin Forseth with David Vaughan A thorough understanding of design drawing enhances the designer's ability to reason out difficult graphic constructions and to select or create appropriate means for depicting buildings and environments. This fully illustrated guide presents the most effective methods for mechanically constructing architectural plans, elevations, sections, paralines, perspectives, and shadows. All methods are described in basic principles of perspective geometry. Throughout the volume many pictorial drawings illuminate the connection between step-by-step procedures for constructing design drawings and the abstract concepts underlying orthographic, oblique, and perspective projections. For formulating graphics work-book problems around paraline construction the guide includes a notation system for describing an unlimited range of paraline-oblique drawings. A shortcut method for casting shadows in plan and elevation is useful for modeling shadows in architectural site plans and for obtaining fast design results. In addition there are eight different step-by-step procedures for setting up and constructing one and two-point perspective. Common-method perspectives are presented in the context of a drafting-board surface, and perspectives without plan are discussed as interiors, exteriors, and sections. Combining carefully organized learning sequences with the quick reference qualities of a handbook, this volume is an excellent reference source for the architectural office or studio as well as an easy-to-follow manual for students.