The Book of the Discipline
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Buddhist and Christian?
"This is a detailed exploration of Buddhist Christian dual belonging, engaging - from both Buddhist and Christian perspectives - the questions that arise, and drawing on extensive interviews with well-known individuals in the vanguard of this important and growing phenomenon. The issue is pressing insofar the last century has witnessed a gradual but profound transformation of the West's religious landscape. In today's context of diversity, people are often influenced by more than one religion. Multireligious identities are consequently on the rise. At one end of the spectrum are those who identify themselves as fully belonging to more than one tradition. One of the most prevalent combinations is Christianity and Buddhism This book addresses central and fundamental questions. How is it possible to be authentically Buddhist and authentically Christian when, for example, God is central to Christianity yet absent from Buddhism; when Christians have faith in Jesus Christ while Buddhists take refuge in the Buddha; when Christians hope for heaven and Buddhists hope for nirvana; and when Buddhists and Christians engage in different practices? Are those who identify themselves as belonging to both traditions profoundly irrational, religiously schizophrenic, or perhaps just spiritually superficial? Or is it possible somehow to reconcile the thought and practice of Buddhism and Christianity in such a way that one can be deeply committed to both? And if it is possible, will the influence of Buddhist Christians on each of these traditions be something to be regretted or celebrated?"--
The Sacred Books of the East: The Laws of Manu
Buddhist Scriptures as Literature
Looks at a variety of Buddhist sacred writings as literature and includes insights from literary theory.
Receptacle of the Sacred
In considering medieval illustrated Buddhist manuscripts as sacred objects of cultic innovation, Receptacle of the Sacred explores how and why the South Asian Buddhist book-cult has survived for almost two millennia to the present. A book “manuscript” should be understood as a form of sacred space: a temple in microcosm, not only imbued with divine presence but also layered with the memories of many generations of users. Jinah Kim argues that illustrating a manuscript with Buddhist imagery not only empowered it as a three-dimensional sacred object, but also made it a suitable tool for the spiritual transformation of medieval Indian practitioners. Through a detailed historical analysis of Sanskrit colophons on patronage, production, and use of illustrated manuscripts, she suggests that while Buddhism’s disappearance in eastern India was a slow and gradual process, the Buddhist book-cult played an important role in sustaining its identity. In addition, by examining the physical traces left by later Nepalese users and the contemporary ritual use of the book in Nepal, Kim shows how human agency was critical in perpetuating and intensifying the potency of a manuscript as a sacred object throughout time.
