Sword of the North
"As Davarus Cole and his former companions were quick to discover, the White Lady's victorious liberation of Dorminia has not resulted in the freedom they once imagined. Anyone perceived as a threat has been seized and imprisoned or exiled to darker regions leaving the White Lady's rule unchallenged and absolute. But the White Lady would be wiser not to spurn her former supporters, Eremul the Halfmage has learned of a race of immortals known as the Fade, and if he cannot convince the White Lady of their existence, all of humanity will be in danger. Far to the north, Brodar Kayne and Jerek the Wolf continue their odyssey to the High Fangs, only to find themselves caught in a war between a demon horde and their enemy of old, the Shaman and in the wondrous city of Thelassa, Sasha must overcome demons of her own"--
Sword of the North
The City of Shades is drowned. The Grey City enslaved. The barrier between the worlds is failing and only the Magelord of the City of Towers still lives to protect her people. Until the arrival of a blind wanderer
The Edge of the Sword
An account of the 1st Battalion, Gloucestershire Regiment, at the Battle of Imjin River during the Korean War and the survivors’ captivity in a POW camp. In April 1951, at the height of the Korean War, Chinese troops advanced south of the 38th parallel towards a strategic crossing-point of the Imjin River on the invasion route to the South Korean capital of Seoul. The stand of the 1st Battalion, the Gloucestershire Regiment, against the overwhelming numbers of invading troops has since passed into British military history. In The Edge of the Sword General, Sir Anthony Farrar-Hockley, then Adjutant of the Glosters, has painted a vivid and accurate picture of the battle as seen by the officers and soldiers caught up in the middle of it. The book does not, however, end there. Like the majority of those who survived, the author became a prisoner-of-war, and the book continues with a remarkable account of his experiences in and out of Chinese prison camps. This book is not an attempt at a personal hero-story, and it is certainly not a piece of political propaganda. It is, above all, an amazing story of human fortitude and high adventure.
Fire and Sword
Many Mormon dreams flourished in Missouri. So did many Mormon nightmares. The Missouri period--especially from the summer of 1838 when Joseph took over vigorous, personal direction of this new Zion until the spring of 1839 when he escaped after five months of imprisonment--represents a moment of intense crisis in Mormon history. Representing the greatest extremes of devotion and violence, commitment and intolerance, physical suffering and terror--mobbings, battles, massacres, and political “knockdowns”--it shadowed the Mormon psyche for a century. Leland Gentry was the first to step beyond this disturbing period as a one-sided symbol of religious persecution and move toward understanding it with careful documentation and evenhanded analysis. In Fire and Sword, Todd Compton collaborates with Gentry to update this foundational work with four decades of new scholarship, more insightful critical theory, and the wealth of resources that have become electronically available in the last few years. Compton gives full credit to Leland Gentry's extraordinary achievement, particularly in documenting the existence of Danites and in attempting to tell the Missourians’ side of the story; but he also goes far beyond it, gracefully drawing into the dialogue signal interpretations written since Gentry and introducing the raw urgency of personal writings, eyewitness journalists, and bemused politicians seesawing between human compassion and partisan harshness. In the lush Missouri landscape of the Mormon imagination where Adam and Eve had walked out of the garden and where Adam would return to preside over his posterity, the towering religious creativity of Joseph Smith and clash of religious stereotypes created a swift and traumatic frontier drama that changed the Church.
With a Sword in One Hand and Jomini in the Other
When the Civil War began, Northern soldiers and civilians alike sought a framework to help make sense of the chaos that confronted them. Many turned first to the classic European military texts from the Napoleonic era, especially Antoine Henri Jomini's Summary of the Art of War. As Carol Reardon shows, Jomini's work was only one voice in what ultimately became a lively and contentious national discourse about how the North should conduct war at a time when warfare itself was rapidly changing. She argues that the absence of a strong intellectual foundation for the conduct of war at its start--or, indeed, any consensus on the need for such a foundation--ultimately contributed to the length and cost of the conflict. Reardon examines the great profusion of new or newly translated military texts of the Civil War years, intended to fill that intellectual void, and draws as well on the views of the soldiers and civilians who turned to them in the search for a winning strategy. In examining how debates over principles of military thought entered into the question of qualifications of officers entrusted to command the armies of Northern citizen soldiers, she explores the limitations of nineteenth-century military thought in dealing with the human elements of combat.
