We'll Sing and We'll Shout
In this comprehensive biography, learn of the ups and downs of William W. Phelps, early Latter-day Saint leader, printer, scribe, ghostwriter, and monumental hymn writer. He printed the Book of Commandments and other early standard works. He was one of the ¿council of presidents¿ that guided the Church in Kirtland in 1835¿36. Phelps continued to be the leading light in newspaper publishing in Nauvoo and was Joseph Smith¿s political clerk in governing Nauvoo and running for the US presidency, also playing a key role in the Council of Fifty. He went west with the Saints, helped propose the ¿State of Deseret,¿ and published prose and poetry in the Deseret News and his Deseret Almanac. Phelps¿s strong feelings sometimes put him at odds with Church leaders, and he was excommunicated three times, rejoining each time.
Shout to the Lord
How music makes worship and how worship makes music in Evangelical churches Music is a nearly universal feature of congregational worship in American churches. Congregational singing is so ingrained in the experience of being at church that it is often misunderstood to be synonymous with worship. For those who assume responsibility for making music for congregational use, the relationship between music and worship is both promising and perilous – promise in the power of musical style and collective singing to facilitate worship, peril in the possibility that the experience of the music might eclipse the worship it was written to facilitate. As a result, those committed to making music for worship are constantly reminded of the paradox that they are writing songs for people who wish to express themselves, as directly as possible, to God. This book shines a new light on how people who make music for worship also make worship from music. Based on interviews with more than 75 songwriters, worship leaders, and music industry executives, Shout to the Lord maps the social dimensions of sacred practice, illuminating how the producers of worship music understand the role of songs as both vehicles for, and practices of, faith and identity. This book accounts for the human qualities of religious experience and the practice of worship, and it makes a compelling case for how – sometimes – faith comes by hearing.
Clap Your Hands
An inspirational, joyous celebration of poetry, art, and rhythm, tracing the history of African-American gospel music and the poets, singers, and thought leaders who have fearlessly and soulfully contributed to the spiritual and social evolution of America. Clap Your Hands, created by the dynamic author and illustrator team of Toyomi Igus and Michele Wood, winners of the Coretta Scott King Award for I See the Rhythm, shares the African American history of gospel music that has courageously broken all color barriers, influencing both worship and popular culture in America for hundreds of years. This spellbinding blend of poetry, art, history, and music also includes a running timeline of all historical milestones--from the first slaves to President Obama's inauguration. This powerful and poetic read bursts with vibrant artwork and is rich in personal notes and information to further any history buff or music enthusiast. Readers of all ages will be captivated by this informative and inspirational blend of poetry, art, and music that honors gospel music with its proper, influential due as reflected through the journey of African Americans. Clap Your Hands includes: Notes from the author and the illustrator sharing their personal inspirations and influences, as well as their research on the roots and evolution of Gospel music. Historical note about the events covered in the book exploring the cultural importance of gospel music throughout history Further reading section, discography, and discussion questions to encourage learning and engagement.
Sacred Hymns and Spiritual Songs for the Church of Jesus Christ of Latter-day Saints
Journal of the Folk-Song Society
List of members in each volume.
