Billy Liar
Billy Liar
The classic comedy of a 50s youth trapped inside a Walter Mitty fantasy-world, published as a Penguin Essential for the first time. Keith Waterhouse's Billy Liar was published in 1959, and captures brilliantly the claustrophobic atmosphere of a small town. It tells the story of Billy Fisher, a Yorkshire teenager unable to stop lying - especially to his three girlfriends. Trapped by his boring job and working-class parents, Billy finds that his only happiness lies in grand plans for his future and fantastical day-dreams of the fictional country Ambrosia.
Billy Liar on the Moon (Valancourt 20th Century Classics)
In this sequel to Waterhouse's Billy Liar, Billy Fisher may be thirty-three but still hasn't grown out of his propensity for lying. Stuck in a loveless marriage in a dismal town, where he has a dead-end job in local government, Billy seeks escape through his affair with Helen, who is also unhappily married. But once again he finds himself in danger of being undone by his lies: vodka martinis charged to his expense account, a wise-cracking alter ego named Oscar, a false police report about a stolen set of nonexistent golf clubs, an imaginary cat named 'Mr Pussy-paws' . . . Now the all-important town festival is approaching, but instead of doing the planning, Billy is busy trying to keep ahead of the suspicions of his wife, the police, and Helen's jealous husband.
Billy Liar
Billy, a young man with a dreary life, spends most of his time daydreaming about a land where he is a hero. A number of minor indiscretions causes Billy to lie in order to avoid the penalties. As these events start catching up with him, he finds himself telling bigger lies to cover his tracks. Finally, when his life is a total mess, and nobody believes a word he says, an opportunity to just run away and leave it all behind presents itself. Billy has a difficult decision to make...
Jane Austen
It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. So runs one of the most famous opening lines in English literature. Setting the scene in Pride and Prejudice, it deftly introduces the novel's core themes of marriage, money, and social convention, themes that continue to resonate with readers over 200 years later. Jane Austen wrote six of the best-loved novels in the English language, as well as a smaller corpus of unpublished works. Her books pioneered new techniques for representing voices, minds, and hearts in narrative prose, and, despite some accusations of a blinkered domestic and romantic focus, they represent the world of their characters with unsparing clarity. Here, Tom Keymer explores the major themes throughout Austen's novels, setting them in the literary, social, and political backgrounds from which they emerge, and showing how they engage with social tensions in an era dominated by the French Revolution and the Napoleonic Wars. The Jane Austen who emerges is a writer shaped by the literary experiments and socio-political debates of her time, increasingly drawn to a fundamentally conservative vision of social harmony, yet forever complicating this vision through her disruptive ironies and satirical energy.
