Sing and Shout
This comprehensive biography explores the tumultuous and passionate life of activist, singer, and actor Paul Robeson. When faced with the decision to remain silent or be ostracized, Paul Robeson chose to sing, shout, and speak out. Sing and Shout: The Mighty Voice of Paul Robeson explores how Robeson's love of African American spirituals and deep empathy towards the suffering of others drove his long, fervent mission as a civil rights activist and his career as an artist. Although he was also an actor, singing was Robeson's defining talent and where he could best express himself. After exploring socialism, Robeson was targeted by the U.S. government for speaking out about discrimination against African Americans and for his political views. He was labeled a communist during the height of the Cold War and found himself stripped of his U.S. passport. But Robeson never gave in and continued to perform and speak out. The book is based on author Susan Goldman Rubin's extensive research, including fieldwork in Harlem, NY, in Princeton and Somerville, NJ, and at Rutgers University in New Brunswick, NJ. Includes an author's note, resources, source notes, index, and a preface by author Harry Belafonte.
Let's Clap, Jump, Sing & Shout; Dance, Spin & Turn It Out!
"Part songbook, part research text, this work is perfect for families to share together or for young scholars who seek to discover an important piece of cultural history."— School Library Journal, starred review From Newbery Honor winner Patricia C. McKissack and two-time Caldecott Honor winner Brian Pinkney comes an extraordinary must-have collection of classic playtime favorites. This very special book is sure to become a treasured keepsake for African American families and will inspire joy in all who read it. Parents and grandparents will delight in sharing this exuberant book with the children in their lives. Here is a songbook, a storybook, a poetry collection, and much more, all rolled into one. Find a partner for hand claps such as “Eenie, Meenie, Sassafreeny,” or form a circle for games like “Little Sally Walker.” Gather as a family to sing well-loved songs like “Amazing Grace” and “Oh, Freedom,” or to read aloud the poetry of such African American luminaries as Langston Hughes, James Weldon Johnson, and Paul Laurence Dunbar. And snuggle down to enjoy classic stories retold by the author, including Aesop’s fables and tales featuring Br’er Rabbit and Anansi the Spider. "A rich compilation to stand beside Rollins’s Christmas Gif’ and Hamilton’s The People Could Fly." —The Horn Book "An ebullient collection.... There is an undeniable warmth and sense of belonging to these tales." —Kirkus Reviews, Starred
Sing and Shout Songs for Children's Ministry
Each volume of Sing & Shout Songs for Children's Ministry is packed with contemporary music that's tons of fun. Kids (and adults) will love to sing along with these bright, upbeat songs. Perfect for teaching kids the importance and joy of praising God while they worship in a way that's all their own.
We'll Sing and We'll Shout
In this comprehensive biography, learn of the ups and downs of William W. Phelps, early Latter-day Saint leader, printer, scribe, ghostwriter, and monumental hymn writer. He printed the Book of Commandments and other early standard works. He was one of the ¿council of presidents¿ that guided the Church in Kirtland in 1835¿36. Phelps continued to be the leading light in newspaper publishing in Nauvoo and was Joseph Smith¿s political clerk in governing Nauvoo and running for the US presidency, also playing a key role in the Council of Fifty. He went west with the Saints, helped propose the ¿State of Deseret,¿ and published prose and poetry in the Deseret News and his Deseret Almanac. Phelps¿s strong feelings sometimes put him at odds with Church leaders, and he was excommunicated three times, rejoining each time.
I'm Gonna Sing and Shout!
Mary McDonald digs deep into her gospel background for this rousing original song of unrestrained praise. Opening with original music, it showcases the choir with gospel harmonies and choral call-and-response. The favorite spiritual "Im Gonna Sing" makes an appearance as the piece drives to its exciting conclusion through sequencing keys and an optional tenor solo.
