The Blind King's Wrath
The final chapter in Ashok K. Banker’s acclaimed Burnt Empire Saga, The Blind King’s Wrath depicts the climactic battle between Krushni and her father, the Demonlord Jarsun, for the Burning Throne and the fate of the Krushan dynasty The Demonlord Jarsun is poised to claim the Burning Throne and cement his rule over the Burnt Empire. Standing in his way is his daughter, now reincarnated into a new avatar named Krushni, who is determined to avenge her mother’s death by his hand—and put an end to her father’s reign of terror once and for all. Aligned with him is the vast army of the Empire, the One Hundred children of Emperor Adri, and their former guru, the legendary warrior Dronas. Krushni has allies too. Also opposing the tyrant Jarsun are the children of his nephew Shvate—the supernaturally-gifted quintet known as the Five. But Krushni and The Five are vastly outnumbered, while other rogue individuals like Ladislew, the warrior-witch, serve their own secret agendas. In this final volume of Banker’s epic saga of the Krushan dynasty, the land of Hastinaga will be torn asunder as the final battle for the empire rages between father and daughter, uncle and nephew, lover and enemy. And the Burning Throne will revel in the violence of it all.
Upon a Burning Throne
First of a new epic fantasy series inspired by an ancient Sanskrit epic and Indian mythology, Upon a Burning Throne evokes the expansive world-building and complex twists of George R.R. Martin's A Song of Ice and Fire, N.K. Jemisin's Inheritance trilogy, and Ken Liu's The Dandelion Dynasty series.
A Cultural History of the Emotions in the Medieval Age
Our period opens at the end of the Roman Empire when intellectual currents are indebted to the Greek philosophical inheritance of Plato and Aristotle, as well as to a Romanized Stoicism. Into this mix entered the new, and from 313CE imperially sanctioned, religion of Christianity. In art, literature, music, and drama, we find an increasing emphasis on the arousal of individual emotions and their acceptance as a means towards devotion. In religion, we see a move from the ascetic regulation of emotions to the affective piety of the later medieval period that valued the believer's identification with the Passion of Christ and the sorrow of Mary. In science and medicine, the nature and causes of emotions, their role in constituting the human person, and their impact on the same became a subject of academic inquiry. Emotions also played an increasingly important public role, evidenced in populace-wide events such as conversion and the strategies of rulership. Between 350 and 1300, emotions were transformed from something to be transcended into a location for meditation upon what it means to be human.
Sophocles
Here, for the first time in English, is celebrated French classicist Jacques Jouanna's magisterial account of the life and work of Sophocles. Exhaustive and authoritative, this acclaimed book combines biography and detailed studies of Sophocles' plays, all set in the rich context of classical Greek tragedy and the political, social, religious, and cultural world of Athens's greatest age, the fifth century. Sophocles was the commanding figure of his day. The author of Oedipus Rex and Antigone, he was not only the leading dramatist but also a distinguished politician, military commander, and religious figure. And yet the evidence about his life has, until now, been fragmentary. Reconstructing a lost literary world, Jouanna has finally assembled all the available information, culled from inscriptions, archaeological evidence, and later sources. He also offers a huge range of new interpretations, from his emphasis on the significance of Sophocles' political and military offices (previously often seen as honorary) to his analysis of Sophocles' plays in the mythic and literary context of fifth-century drama. Written for scholars, students, and general readers, this book will interest anyone who wants to know more about Greek drama in general and Sophocles in particular. With an extensive bibliography and useful summaries not only of Sophocles' extant plays but also, uniquely, of the fragments of plays that have been partially lost, it will be a standard reference in classical studies for years to come.
