Bloody Valentine
Love is the strongest emotion. It can bring people together but it can also drive them apart. For love can become twisted and evil. And, if obsession, jealousy and suspicion take hold, all other feelings can be prevented and sometimes lead to murder. In this disturbing catalogue of bloody valentines, crime writer and journalist Douglas Skelton delves into the darker side of Scotland's psyche to uncover chilling crimes of passion where love turned sour and the outcome was lethal.
Bloody Valentine
★★★ A Valentine's Day not soon forgot ★★★ The Saint Valentine's Day Massacre is one of the most notorious murders of all time. In the crime-ridden Chicago of the Prohibition era, gangsters like Al Capone battled for power, but few went to the extreme lengths that Capone did on that fateful day in 1929. This short book gives you an exciting look at one of the most notorious criminals of all time, and the massacre he masterminded to finally gain control of the bootleg liquor trade. Pray he has chocolates in that box and not a Tommy gun! This is one Valentine's Day you will never forget.
My Bloody Valentine's Loveless
Loveless remains an enigma, 15 years after its release - an album so influential and groundbreaking that its chief creator, Kevin Shields, has been unable or unwilling to release an official follow-up. In his book, Mike McGonigal talks to all the members of My Bloody Valentine, in an almost certainly futile attempt to get at the essence of this extraordinary record.
Bloody Valentine
Horror That Haunts Us
Horror’s pleasures fundamentally hinge on looking backward, either on destabilising trauma, or as a period of comfort and happiness which is undermined by threat. However, this stretches beyond the scares on our screens to the consumption and criticism of the monsters of our past. The horror films of our youth can be locations of psychological and social trauma, or the happy place we go back to for comfort when our lives become unsettled. Horror That Haunts Us: Nostalgia, Revisionism, and Trauma in Contemporary American Horror is a collection of essays that brings together multiple theoretical and critical approaches to consider the way popular horror films from the last fifty years communicate, embody, and rework our view of the past. Whether we look at our current relationship to the scary movies of decades ago as personal or cultural memory, the way historical and sociopolitical events and frameworks – especially traumas – reframe the way we look at our pasts, or even the way recent horror films and video games look back at our past (and the past of the genre itself) through a filter of experience and history, this collection will show the close relationship between nostalgia and popular horror. These essays also demonstrate a range of unique and diverse points of view from both established and emerging scholars on the subject of horror and the past. Edited by seasoned horror experts Karrá Shimabukuro and Wickham Clayton, Horror That Haunts Us is a book with the aim of examining why we return again and again to certain popular horror films, either as remakes or reboots or as the basis for pastiche and homage.
