Nana, Vol. 1
Nana Komatsu is a young woman who's endured an unending string of boyfriend problems. Moving to Tokyo, she's hoping to take control of her life and put all those messy misadventures behind her. She's looking for love and she's hoping to find it in the big city. Nana Osaki, on the other hand, is cool, confident and focused. She swaggers into town and proceeds to kick down the doors to Tokyo's underground punk scene. She's got a dream and won't give up until she becomes Japan's No. 1 rock'n'roll superstar. This is the story of two 20-year-old women who share the same name. Even though they come from completely different backgrounds, they somehow meet and become best friends. The world of Nana is a world exploding with sex, music, fashion, gossip and all-night parties. -- VIZ Media
Pumpkin Witch Nana - Volume 1
Young siblings Danny and Wendy lived an ordinary life in a ranch left by their parents. One day, following a mysterious white rabbit, they found themselves in a totally different world. A world filled with monsters, ghosts, and undead--as if Halloween comes true. With no way back, there was only one person they could rely upon, and that person was a witch. She called herself, Pumpkin Witch Nana. And as an exchange for her help, the witch had only one request... and that is to repay her debt? Pumpkin Witch Nana is a Comedy Action graphic novel full of lighthearted humor and heart-pumping action.
Nana
A Geography of Jihad
This book addresses the Jihad movement that created the largest African state of the 19th century: the Sokoto Caliphate, existing for 99 years from 1804 until its military defeat by European colonial troops in 1903. The author carves out the entanglements of jihadist ideology and warfare with geographical concepts at Africa’s periphery of the Islamic world: geographical knowledge about the boundary between the “Land of Islam” and the “Land of War”; the pre-colonial construction of “the Muslim” and “the unbeliever”; and the transfer of ideas between political elites and mobile actors (traders, pilgrims, slaves, soldiers), whose reports helped shape new definitions of the African frontier of Islam. Research for this book is based on the study of a very wide range of Arabic and West African (Hausa, Fulfulde) manuscripts. Their policies reveal the persistent reciprocity of jihadist warfare and territorial statehood, of Africa and the Middle East. Stephanie Zehnle is Assistant Professor (JProf) of Extra-European History at Kiel University (Christian-Albrechts-Universität). Her work on African and trans-continental history includes research on the history of Islam, human-animal relations, and comics in Africa.
Fluid Orality in the Discourse of Japanese Popular Culture
This volume invites the reader into the world of pragmatic and discourse studies in Japanese popular culture. Through “character-speak”, the book analyzes quoted speech in light (graphic) novels, the effeminate onee kotoba in talk shows, narrative character in keetai (mobile phone) novels, floating whispers in manga, and fictionalized dialects in television drama series. Explorations into conversational interaction, internal monologue, rhetorical figures, intertextuality, and the semiotic mediation between verbal and visual signs reveal how speakers manipulate language in performing playful “characters” and “characteristics”. Most prominent in the discourse of Japanese popular culture is its “fluid orality”. We find the essential oral nature in and across genres of Japanese popular culture, and observe seamless transitions among styles and speech variations. This fluidity is understood as a feature of polyphonic speech initiated not by the so-called ideal singular speaker, but by a multiple and often shifting interplay of one’s speaking selves performing as various characters. Challenging traditional (Western) linguistic theories founded on the concept of the autonomous speaker, this study ventures into open and embracing pragmatic and discourse studies that inquire into the very nature of our speaking selves.
